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Friday, December 17, 2010

Chasing Down Usagi Yojimbo: The Special Edition

A book with two versions listed and a different ship date from every online bookseller: exactly what and when is Fantagraphics offering?

A few days ago I was perusing the Fantagraphics website and noticed a solicitation for Usagi Yojimbo: The Special Edition, a two volume slip-cased 1200 page collection of the first ten years of published material for $100 and shipping December 2010.  Here’s the publisher’s blurb and below is from an interview with Stan Sakai.

Sakai told us Fantagraphics first approached him about doing a special deluxe collection of the original material in conjunction with Usagi’s 25th anniversary in 2009, but the project was eventually pushed back to 2010. “It’ll be all the Fantagraphics stories in a two-volume slipcase hardcover edition. I’m looking forward to it,” Sakai said. “It’s also going to publish all the extras that were only in the hardcover [collections], with the exception of the full-color story that was published in the book 4 hardback, because that was reprinted recently in [Dark Horse's] ‘The Art of Usagi Yojimbo.’ But this is the sketches and covers and things that were included with the hardcover editions. So it’ll be a lot more, plus it’ll be about the same price as buying them in the trade paperback.” The slipcase edition will also reprint an early interview with Sakai, updating it with additional commentary which the author composed in recent months, and Usagi’s crossovers with the Teenage Mutant Ninja Turtles, some of them rarely seen.

While the “Usagi Yojimbo Special Edition” collection will be presented in a limited edition not to be reprinted, Fantagraphics will continue to offer paperback collections of its “Usagi” material.

Yikes!  This is a stunning offering and hits all the marks for me: I had read a few stories and was in the process of tracking down a decent collected edition.  I skipped over to Amazon.ca to see what it was going for and noticed a second listing for a Limited Signed Edition; same blurb as the regular edition with a different ISBN, 978-1-60699-154-1 versus 978-1606993323, and shipping date of July 12 2011.  Fantagraphics had no mention of this Limited Signed Edition on their site, and neither did Amazon.com or Book Depository.  Chapters.ca did list it with the same July 12 2011 shipping date; as well they listed the regular edition as shipping December 7th 2010.  Amazon.ca listed the regular edition shipping October 26th 2010, Book Depository listed it shipping November 25th 2010 and Borders.com listed December 6th 2010.

So for the regular two book collection we have a different shipping date at every online store and a limited signed edition only offered on Canadian book sites.  I decided to look at Diamond’s listings to see what they had.  Much to my chagrin they had both versions listed with a ship date of June 29th 2011 for both!  What’s interesting is the item code which identifies what month and year the item is solicited: the regular edition is SEP10 and the limited signed edition is JUN09.  A quick web search located the Diamond Previews list from June 2009 and both versions were solicited: the regular edition had an item code of JUN090896.  Searching that on Diamond brought up the SEP10 listing with RES in the title indicating it was resolicited.  Various web searches for the limited signed edition ISBN and Diamond code brought up a listing for the June 2009 offering, including Comixology who showed an August 2009 shipping date.

At this point I went to the source: Fantagraphics.  A general email under Contact Us didn’t get me a response so I contacted Jacquelene Cohen, Director of Publicity and Promotions.  Here’s her quick and much appreciated response:

The Usagi SE does release this month.  The editions are not signed and numbered and they do not include a signed bookplate.  In the future we are going (to) offer signed bookplates when the books are ordered from Fantagraphics.com.

And from a follow-up email:

According to the book’s editor, it wasn’t solicited as a signed and numbered.

Unfortunately we know that’s not the case.  Both editions were solicited in June 2009 and the regular edition was resolicited September 2010.  Most likely Diamond never received cancellation notice of the limited signed edition and therefore online retailers who use Diamond didn’t either.  The good news is we’ll see Usagi Yojimbo: The Special Edition this month; the bad news is it looks like there will be no limited signed edition.  Best bet is to bring your copy to Boston Comicon next year and get it signed yourself.

Scott VanderPloeg works in I.T. but lives to eat and read. His ramblings can be found blogged at eBabble.Share and Enjoy:DiggStumbleUponFacebookSphinnGoogle Bookmarksdel.icio.usMixxPrintTwitterPDF

Tags: dark horse, Fantagraphics, hardcover, Stan Sakai

PostedFriday, December 3rd, 2010 at 9:19 amin Bound Together, Daily News.Follow comments on the RSS 2.0 feed.You can skip to the end and leave a response. Pinging is currently not allowed.

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One Response to “”Anthony Falcone says:December 3, 2010 at 10:59 am

This totally slipped under my radar. I am definitely going to pick one up and take it to Boston to get it signed.

This is a great way for anyone to purchase a lot of excellent Usagi Yojimbo stories all in one go.

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ARRRGH|The Different Types of Collectors

Comic collecting draws all kinds of different collectors. When I first started collecting, I was very young, and was really only interested in Richie Rich comics. Well, that’s not entirely true. I liked all the Harvey comics. Sad Sack, Hot Stuff, and of course Casper the Friendly Ghost were among my favourites.

When I first started, I wasn’t really into “collecting”. I merely wanted to read the stories I hadn’t read yet. I think that’s probably how a lot of collectors start. They pick up one comic, then another, and another. Before they know, they have a small collection of comics that really aren’t doing much of anything but collecting dust or maybe pet hair.

So there I was with a little pile of comics, made up of ragged issues of Richie Rich Millions, and others. When Harvey folded, I was left with still wanting to read something so Marvel came along and filled the void.

But it wasn’t until I stepped into a comic book store that I realized that there was an entire community that was out there collecting and cataloging their comics. They were probably going through similar events that I had gone through, which really was just wanting to read more comics, and out of a lack of reason to get rid of them, started stockpiling them.

However, what happens next is interesting because different types of collectors start to emerge:

There are the collectors that buy comics on a regular basis because they want to just read the stories. These kinds of buyers usually have pull lists at their favourite stores and religiously attend their weekly worship every Wednesday at their favourite store. Generally there are titles they follow or characters that appeal to them for one reason or another. Perhaps it’s the fun loving Spider-Man’s witty banter or maybe just Batman is the coolest character ever created. For whatever reason, these buyers are really the bread and butter of the comics community and really without them, there wouldn’t be a comics industry. They keep the lifeblood of the community going and support local businesses.

From these collectors, two additional types of buyers emerge. There is the collector who really doesn’t care about what condition their comics are in. They buy the comics for the love of the medium. And then there is the buyer who carefully reads the comic and puts it away so it is kept in as perfect condition as possible. Why do they do this? Well perhaps they are hoping that they may make money on them one day. Or perhaps they just like to keep things as nice as possible (kinda like that good crystal a guy or gal owns and only brings out for special occasions).

Then there are collectors who buy older comics because they are trying to complete runs of certain titles. This is what I would call a “Completist”. A lot of collectors are like this. The collector would attempt to get every issue of a particular series of comics. Perhaps they want every issue of Captain America, or maybe something more recent like Bomb Queen. Either way, they try to hunt down all the issues of that series. Again, two types of collectors emerge from here; Those that try to get nice, near mint or mint copies and those that just want every issue. Depending on the series, the latter may be extremely difficult to obtain, especially if one were trying to get every issue of Action Comics, where #1 may cost in excess one million dollars. Leniency is afforded for occurrences where issues get extremely costly in higher graded issues, so that they may actually be able to get one without mortgaging the house.

Along those same lines as collecting all the issues of a particular series, other forms of collecting emerge, such as collecting favourite characters, artists, or writers.

Finally I would say that there are also collectors that try only to collect comics purely on speculative reasons. They buy only comics that are first appearances or first issues or some sort of key book with a high resale value. Generally these collectors try to get the highest grade possible because the return is exponentially higher for better graded books.

Of course there is always collectors who are mix of all these too. There is no rule or reason as to why anyone collects anything. Some people buy books just because they like the cover. Like this one comic bought here: Jet Dream. Who doesn’t like Kung Fu Counter-spies?

Chris Owen is the teacher of Sequential Art History (Comic Book history) at Hamilton’s Mohawk College he co hosts the Radio Show Comic Culture with CBD’s own Walter Durajlija. He is not only a fancy dresser but he’s also one of the foremost experts on Power Girl in the entire Galaxy. Share and Enjoy:DiggStumbleUponFacebookSphinnGoogle Bookmarksdel.icio.usMixxPrintTwitterPDF

Tags: collections, Harvey Comics, Jet Death, richie rich, Spider-Man

PostedFriday, December 3rd, 2010 at 12:15 pmin ARRRGH.Follow comments on the RSS 2.0 feed.You can skip to the end and leave a response. Pinging is currently not allowed.

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Thursday, December 16, 2010

I Heart Comics | The Moebius Meme (NSFW)

Moebius or Jean Giraud is one of those world famous comic book artists that no one in North America (except, of course, true lovers of the medium). He’s known for his far out sci-fi comic strips from Heavy Metal or his wonderful western series Blueberry. Moebius’ is sort of like the Velvet Underground of comic art – everyone who has come upon his art automatically wants to be a artist.

I recently joined an amazing Tumblr called the Airtight Garage (and/or quenched consciousness) which turned me onto this image by Monsieur Giraud

Inspired by one of his more controversial images, artists like Paul Pope, Brandon Graham, Corey Lewis and D-pi. I’ll present them in that order.

Pope’s take is very straight-forward and very much in keeping with the original erotic tone of Moebius’ original. He even presents this quote “A drawing can never be pornography. A drawing is an visual description of an idea and not a documented depiction of an actual event.”

Meanwhile the mad man of comic Brandon Graham inflects some of his offbeat influences – namely Dragon Ball creator Akira Toriyama (and some Eastman & Laird). He doesn’t age the girl either, but does cover her up. Graham has done some pretty awesome erotic comics – namely the hilariously smutty Pillowfight. (Shout out to Marc Sims of Big B Comics for the recommendation!)

Corey Lewis meanwhile ups the ante by aging the girl and making her.. Lady Gaga?  Lewis’ style is well suited for this sort of pop art homage, and thus far his ‘version’ is my favourite, mostly because it’s so brash and Warholian that you can’t help but kind of adore it. He adds: “Ya I went a bit OUT on mine. Whatevvvz. Yeah, I drew Lady Gaga (or for DONJINSHI purposes– my interpretations of her are known as “LADY XAXA”). I variated my version of the nipple tweak, too. Mine’s more of a PINCH! OO”

Finally we come to D-pi – an artist I’ll confess to not be as familiar with. Which is something I’m going to immediately correct by checking out all the entries of his webcomic Gratuitous Ninja. He himself says of his piece: “I’ve replaced the pubescent girl with the sexually frustrated Hachimaru from GratNin. Her posture is a little different than the original… and it’s not the only unintentional glaring difference…  Next time, I’ll do a straight study. Moebius is a BEASTTT!“

Pete DeCourcy is EiC of ComicBookDaily.com. He tumbls over at Grown Up Boy Detective and writes for The Simple Art of Crime. If you have any questions or demands of him, he can be reached via email at pdecourcy[at]comicbookdaily[dot]comShare and Enjoy:DiggStumbleUponFacebookSphinnGoogle Bookmarksdel.icio.usMixxPrintTwitterPDF

Tags: Brandon Graham, Corey Lewis, D-PI, erotica, Lady Gaga, Moebius, NSFW, Paul Pope

PostedFriday, December 3rd, 2010 at 2:33 pmin Blogs, I Love Comics.Follow comments on the RSS 2.0 feed.You can skip to the end and leave a response. Pinging is currently not allowed.

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